The Contents page of this first volume is reproduced below with Links to the Introduction and three complete essays which may be read on-line. Part 2 of the Introduction details the content of the Seminal Essays. Ordering information is at the bottom of this page. [Please Note: the updated essay on Kiss Me Deadly is in three parts and includes over 50 frame enlargements from the film, which may cause long load times with slower connections.]
There are also E-mail links to
various of the contributors.
Introduction
Alain Silver
Part One: Seminal Essays
Towards a Definition of Film Noir [from Panorama du Film Noir
Américain]
Raymond Borde and Étienne Chaumeton (1955)
Noir Cinema [from Hollywood in the Forties]
Charles Higham and Joel Greenberg (1968)
Paint It Black: the Family Tree of the Film Noir [from Cinema
(UK)]
Raymond Durgnat (1970)
Notes on Film Noir [from Film Comment]
Paul Schrader (1972)
Some Visual Motifs of Film Noir [from Film Comment]
Janey Place and Lowell Peterson (1974)
No Way Out: Existential Motifs in the Film Noir [from Sight
and Sound]
Robert Porfirio (1976)
Film Noir: A Modest Proposal [from Film Reader]
James Damico (1978)
Out of What Past? Notes on the B film noir [from Screen]
Paul Kerr (1979)
Part Two: Case Studies
Phantom Lady, Cornell Woolrich, and the Masochistic Aesthetic
Tony Williams
John Farrow: Anonymous Noir
Alain Silver and
James Ursini
At the Margins of Film Noir: Preminger's Angel Face
Richard Lippe
The Killers: Expressiveness of Sound and Image in Film Noir
Robert Porfirio
Mann in the Dark: the Films Noir of Anthony Mann
Robert E. Smith
Expressionist Doom in Night and the City
Glenn Erickson
Kiss
Me Deadly: Evidence of a Style
Alain Silver
The Post-Noir
P.I.: The Long Goodbye and Hickey and Boggs
Elizabeth Ward
Part Three: Noir Then and Now
Film Noir, Voice-over, and the Femme Fatale
Karen Hollinger
What is
This Thing Called Noir?
Alain Silver and Linda Brookover
Angst at Sixty Fields per Second
James Ursini
Miami Vice, The Legacy of Film Noir
Jeremy G. Butler
Kill Me Again: Movement becomes Genre
Todd Erickson
Son of Noir: Neo-Film Noir and the Neo-B Picture
Alain Silver
For an on-line article on the ending of Kiss Me Deadly in Images click on the animated GIF below
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